Two versions of La Sylphide by Filippo Taglioni performed in Madrid in 1842

The main common and different characteristics of both productions and their differences in relation to the original Paris 1832 and Milan 1841 on which they were based. Comparison of four librettos and hemerographic materials of the work under study.

Подобные документы

  • Study of ways of using mugham in the works Azerbaijani composers for tara. In Azerbaijani music, the main aspects of the use of mugam in the musical language, performance on tara, influence of mugam and tara as an instrument on the composer are studied.

    статья, добавлен 13.03.2023

  • The Lithuanian dvejines sutartines performing features among other archaic ways of singing by two. The main method of this study is melodic analysis; specifically, analysis of the polyphonic performing process of actual Lithuanian folk songs.

    статья, добавлен 18.11.2023

  • Розгляд перебування чотирнадцятирічного Ріхарда Вагнера у Лейпцигу протягом 1827-1832 років, періоду після його повернення сюди з родиною з королівського Дрездена та початком самостійної музичної роботи у Вюрцбурзі керівником хору в міському театрі.

    статья, добавлен 31.05.2020

  • This article mediates between two views of the sonata-form development section: one based on key and cadence plan (Koch), another based on harmonic progression (Schenker). Three sonata movements by C.P.E. Bach, all of which agree with Koch's discussion.

    статья, добавлен 10.09.2012

  • Сущность джаза, его возникновение и африканские корни. Появление "Original Dixieland Jazz Band" – первого джазового ансамбля. Биографии и вклад в развитие музыки джазменов - Сиднея Беше, Джозефа "Кинга" Оливера, Джелли Ролла Мортона и Луи Армстронга.

    реферат, добавлен 12.04.2009

  • Африканские корни. Первые звуки джаза: "Original Dixieland Jazz Band". Сидней Беше и Джозеф "Кинг" Оливер. Джелли Ролл Мортон. Белые в джазе. Двусмысленное положение белого музыканта в джазе. Луи Армстронг - первый гений, американский джазовый музыкант.

    реферат, добавлен 16.01.2009

  • Rap as one of the most common types of music, which is used for various purposes, such as self-actualization, commercial activities, battles and others. The theoretical foundations and practical effectiveness of the experiment as an application of rap.

    статья, добавлен 27.02.2019

  • The mechanisms of analysis and evaluation of musical works in relation to neuroscience. A projection of developments of neuroaesthetics from visual forms of art to music as an audio system. Correlation of the laws of the brain with the art of music.

    статья, добавлен 25.09.2020

  • The history of the development of the American and British rock music, its relation to political activities. The expression of youth revolt against the consumer society. Analysis of the famous artists of the style. Musical instruments used at concerts.

    топик, добавлен 13.05.2015

  • Discusses some techniques common in modern accordion compositions (clusters, glissando, ricochets, vibrato) and ways of their notation. Identifies benefits and limitations of performing different types of articulation and sound effects on the instrument.

    статья, добавлен 16.07.2023

  • The problems of determination of dimension of existence of music in philosophical and aesthetic views on art. Consideration of Oswald Spengler musical intentions in relation to the ethos of culture. The implementation of culture styles in music.

    статья, добавлен 15.05.2018

  • Time problem in new music in the context of philosophical reflections. Comparison of the philosophical concept and estetiko-philosophical purposes of composers of the second half of the 20th century. Structuring musical time and its various concepts.

    статья, добавлен 07.04.2019

  • Aspects of M. Ravel's reading of texts from the collection "Gaspar from Darkness. Fantasias in the manner of Rembrandt and Kahlo" by the poet A. Bertrand. The concept of phantasmagoricity, which led to the selection of materials from Ravel's cycle/suite.

    статья, добавлен 30.03.2023

  • Research of archaeological materials and scientific analysis of forms of bianzhong bell sets, systems of their assembly and features of sound production. Functions and meanings of the instrument in rituals, ceremonies and social hierarchy (rank system).

    статья, добавлен 20.07.2018

  • The questions of ornamentation in the baroque keyboard music, which is viewed here as a peculiar code of the communication between composer and performer. Analysis of pieces of music, comparison of various samples of the ornamentation in the various.

    статья, добавлен 23.03.2020

  • The theory of chamber ensemble performing claims independent quality and appropriate conceptual and terminological framework. The common scientific and methodological foundation of theory and history of instrumental chamber ensemble performance.

    статья, добавлен 28.12.2017

  • The role of the musical components as a whole of the modern show. The functional intend of the musical constituent of the integrity of the show as a business organization. Materials by the specifics of description of show-structures in business actions.

    статья, добавлен 28.12.2017

  • Analysis of quantitative and qualitative parameters of the genre structure of contemporary ensemble works of Ukrainian authors. Dynamic of the evolution of the structure of chamber-instrumental genres. Description of common types of genre interference.

    статья, добавлен 12.04.2018

  • Studying of essence of a problem of musical time in XX century music. The organization of sound events in a temporary continuum. Comparison of philosophical concepts of time of A. Bergson, E. Gusserl, Zh. Delez to musical compositions of New music.

    статья, добавлен 07.04.2019

  • In this article, through the analysis of audio and video materials that captured performances where Maria Callas took part, her interviews and the memoirs of contemporaries about her, the technology of female opera images embodiment is considered.

    статья, добавлен 04.02.2021

  • Problems presented by the attempt to translate Adorno. Associating the word "analysis" in music with the idea of all that is dead and removed from the living work of art. The music as an event in any adequate analysis of Beethoven. The "holistic" method.

    статья, добавлен 09.09.2012

  • The specifics of the interpretation of the piano expressiveness by E. Varese that occupied such an exceptional place in the classical music. The restrictive the expressive possibilities of the piano, related to the neoclassical of the XX century.

    статья, добавлен 12.04.2018

  • The peculiarities aspects of hermeneutic reception of the Ukrainian musical work - on a proper philosophical and cultural basis. The problem is that under the guise ofcultural legacy, they were overburdened not only with "losses" of the cultural memory.

    статья, добавлен 20.02.2023

  • The article contains a brief biography and work of Farabi, his musical views and formation, his works and the legends about Farabi, data about books and brochures written by him about music. In his "Great book of music" it was described that music.

    статья, добавлен 15.02.2023

  • Describing of physical modeling of wind instruments provides digital sound synthesis based on a set of parameters that have a direct physical interpretation. Propagation of pressure waves in cylindrical and predominantly conical sections of saxophone.

    статья, добавлен 05.03.2023

Работы в архивах красиво оформлены согласно требованиям ВУЗов и содержат рисунки, диаграммы, формулы и т.д.
PPT, PPTX и PDF-файлы представлены только в архивах.
Рекомендуем скачать работу и оценить ее, кликнув по соответствующей звездочке.