Piano sound formation as a parameter of performing intonation
The purpose of the article is to study the mechanical-acoustic features and properties of the piano in a holistic relationship with the organization of musical space and artistic means of performance, which were formed in the process of musical practice.
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Main directions of the study of the mechanical and acoustic features and properties of the piano in an integral relationship with the organization of the musical form and artistic means of performance, formed in the process of musical practice.
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