The principle of polystylistics of Frank Angelis (on the example of the "B.B. (Brel - Bach)" suit)
Analyze repertoire works of the famous French performer, composer, teacher Frank Angelis - Suite "B.B. (Brel-Bach)" for accordion in the context of identifying the specifics of the composer’s interpretation of the genre and the principle ofpolystylistics.
Подобные документы
Description of the childhood and adolescence of P.I. Tchaikovsky. A student musician in law school and Conservatory. Teaching activity and the first chamber works by Tchaikovsky. The most popular operas, ballets and chamber works of the composer.
презентация, добавлен 22.10.2014Consideration of the libretto of the opera of the modern Finnish composer K. Saariaho. An intertextual organism of an opera with an organically intertwined beauty of orchestral fabric, subtle scales of vocal intonations and compositional technique.
статья, добавлен 07.04.2019- 28. To the problem of musical thinking: from thinking on an instrument to thinking with an instrument
The application of semantic, cultural, musicological methods in their systemic unity. The birth of a new stage of thinking with sounds - thinking with an instrument, when the latter "tells" the composer the direction of figurative dramatic development.
статья, добавлен 29.06.2020 The questions of ornamentation in the baroque keyboard music, which is viewed here as a peculiar code of the communication between composer and performer. Analysis of pieces of music, comparison of various samples of the ornamentation in the various.
статья, добавлен 23.03.2020- 30. The peculiarity of the interpretative thinking in the context of rhetorical piano performing style
The peculiarity of the interpretative thinking of representatives of the rhetorical piano performing style. The programmatic view on the piano interpretation from the position of unity of the manner of presenting composer's style and music perception.
статья, добавлен 14.10.2018 Aspects of M. Ravel's reading of texts from the collection "Gaspar from Darkness. Fantasias in the manner of Rembrandt and Kahlo" by the poet A. Bertrand. The concept of phantasmagoricity, which led to the selection of materials from Ravel's cycle/suite.
статья, добавлен 30.03.2023The examines the relevance of studying the work of the outstanding Ukrainian composer Mykola Leontovych. An attempt has also been made is made to prove the importance of students' awareness of the importance of the composer's innovative achievements.
статья, добавлен 13.11.2023- 33. Neo-Romanticism
The history of music in XIX-th century in a form other than that of monographs about the leading composers, interspersed with outlines of cultural history which find room for the "minor masters". The composers of the works which constitute the "canon".
статья, добавлен 09.09.2012 Study of the phenomenon of improvisation in contemporary musical creativity and its communicative properties. Immanent properties of improvisation, the system of relationships between the composer, performer and listener, manifested in contemporary music.
статья, добавлен 28.12.2017Creating the main forms of canonical worship as a musical genre - Liturgy and Vigil - are brought to the light. The identify of historical stages of Orthodox liturgical singing tradition and its transformation into a genre and form of music art.
статья, добавлен 03.02.2018Information about the sonorous and expressive properties of the harmonic peak, widely covering the principles of coloristic functions of special sound engineering techniques. Analysis of some aspects of the harmonic vertical for their uniqueness.
статья, добавлен 20.02.2023The article opens one of the new pages of G.F. Handel, relating to the early period of the composer's work, and also fits the compositions into the context of the traditions of the productions of the Hamburg Opera House. Dramatic conflict between gods.
статья, добавлен 09.04.2022Time problem in new music in the context of philosophical reflections. Comparison of the philosophical concept and estetiko-philosophical purposes of composers of the second half of the 20th century. Structuring musical time and its various concepts.
статья, добавлен 07.04.2019Discusses some techniques common in modern accordion compositions (clusters, glissando, ricochets, vibrato) and ways of their notation. Identifies benefits and limitations of performing different types of articulation and sound effects on the instrument.
статья, добавлен 16.07.2023Analysis of quantitative and qualitative parameters of the genre structure of contemporary ensemble works of Ukrainian authors. Dynamic of the evolution of the structure of chamber-instrumental genres. Description of common types of genre interference.
статья, добавлен 12.04.2018Characteristic of quintets of Luigi Boccherini as an object symbol of the Italo-French line of chamber instrumentalism, including among piano works. Crossing of the early Romantic and Biedermeier stylistic trends in the genre model Luigi Bockerini.
статья, добавлен 28.12.2017The analysis of the Concerto grosso has revealed, that in his interpretation of the old European genre, an emergence of the distinct national peculiarities can be observed. These go with compositional peculiarities, what specifies modern music.
статья, добавлен 06.08.2023- 43. On the issue of working on a musical work in the class of instrumental training (bayan/accordion)
Mastery of the musical language, artistic and expressive means of expressiveness, compliments in the field of performing and percussion-noise techniques. Peculiarities of working on a musical piece in the class of instrumental training (bayan/accordion).
статья, добавлен 12.04.2023 The analysis of Myaskovsky's chamber-vocal works according to poems of symbolist poets of the XIX-XX centuries. The romance genre in the context of the culture of the Silver Age. Stylistics Myaskovsky in romances according to the poems of different poets.
статья, добавлен 21.07.2018- 45. Шість фуг на тему "Bach" для органу або педального фортепіано op. 60 Р. Шумана: до питань композиції
Найбільш фундаментальні принципи композиції і поліфонічна техніка в циклі "Шість фуг для органу або педального фортепіано ор. 60" Роберта Шумана. вплив композиторського стилю на кожну з частин циклу. Особливості композиції та поліфонічної техніки.
статья, добавлен 20.02.2023 This paper examines the evolution of the signature traits of Borys Liatoshynsky's instrumental chamber music during the 1910s and 1920s in the context of the overall evolution of the composer's expressive me. Liatoshynsky’s Romance for Cello and Piano.
статья, добавлен 15.04.2023The analyzing and revealing of the most characteristic lineaments for scenically single performing on the wind academic instruments at the music of classicism's epoch (the period from the middle of the 18th - before the beginning of the 19th centuries).
статья, добавлен 14.10.2018The methodology of the work is determined by the genre and style, semantic and analytical musicological approaches, focused on revealing the dialogical interaction of the traditional and innovative in the works of Edison Denisov. The vocal work of Denisov
статья, добавлен 27.06.2020The author - experienced director, teacher and critic, makes an attempt to consider variety art as a special sphere of performing arts, analyzes its specific patterns, genre nature. The study is based on extensive historical and methodological material.
статья, добавлен 20.02.2023The specifics of the interpretation of the piano expressiveness by E. Varese that occupied such an exceptional place in the classical music. The restrictive the expressive possibilities of the piano, related to the neoclassical of the XX century.
статья, добавлен 12.04.2018