Attributions of genre and style in piano works by Ivan Karabyts

The genre and style attributions of piano works by Ivan Karabyts. The influence of B. Liatoshynsky on the piano concepts of Karabyts, both at the level of symphonism of the piano idea, which was initially tested in the field of instrumental compositions.

Подобные документы

  • The American revolution in music. Review the history of the emergence of Jazz. Features the music of country style. Elvis Presley - a most popular American singer, musician and actor. The development of literature, cinema and art in the United States.

    презентация, добавлен 09.03.2015

  • Specific features of the synesthesis of the musical artist as a creative ability, determining her role in the professional artistic process in the genre of the musical. Analysis of the specificity of synesthesia as a projection of intonational hearing.

    статья, добавлен 15.05.2018

  • Lithuanian multipart songs sutartines inscribed in 2010 on the representative list of the intangible cultural heritage of humanity. Determination of features of vocal and instrumental polyphony, second accords, complementary rhythms and syncopation.

    статья, добавлен 29.03.2020

  • The history of music in XIX-th century in a form other than that of monographs about the leading composers, interspersed with outlines of cultural history which find room for the "minor masters". The composers of the works which constitute the "canon".

    статья, добавлен 09.09.2012

  • The theory of chamber ensemble performing claims independent quality and appropriate conceptual and terminological framework. The common scientific and methodological foundation of theory and history of instrumental chamber ensemble performance.

    статья, добавлен 28.12.2017

  • A combination of national and Western means of musical expression in contemporary Chinese art. Consideration of the problem of interpreting the stage image of female warriors in opera productions. Analysis of the features of Guan Xia's writing style.

    статья, добавлен 23.09.2024

  • Theodor Adorno`s writting on jazz - "some of the stupidest pages ever written". Ignorance of the specifically American features of jazz. Two misconceptions associated with Adorno`s use of the term "jazz". Styles and currents of the German "Jazz Age".

    статья, добавлен 09.09.2012

  • The dialogue of cultures, understood as the interaction of different artistic traditions, its form. The assimilation of foreign artistic traditions in the joint writing of works that combine elements of the cultural heritage of authors of various origins.

    статья, добавлен 23.03.2020

  • Study the chamber-vocal works by N. Myaskovsky created on poems of symbolist poets in the line with cultural and aesthetic trends of the turn of the XIX-XX cent. in the context of the culture of the Silver age. The composer’s stylistics in romances.

    статья, добавлен 30.08.2018

  • The stylistic features of a new choreographic interpretation of P. Tchaikovsky's famous ballet "The Nutcracker" by R. Poklitaru. Exploring of the choreographer's non-standard creative vision, his specific style and a new approach to Hoffmann's tale.

    статья, добавлен 03.02.2018

  • The mechanisms of analysis and evaluation of musical works in relation to neuroscience. A projection of developments of neuroaesthetics from visual forms of art to music as an audio system. Correlation of the laws of the brain with the art of music.

    статья, добавлен 25.09.2020

  • Morphological analysis of the works of Rimsky-Korsakov, Mussorgsky, Borodin, Stravinsky. Identification of a set of invariant sound morphemes, the conceptuality of which is related to the associative and figurative possibilities of listening perception.

    статья, добавлен 25.11.2023

  • The specifics of the world of music. Predicting commercial success in popular music. A theoretical model of the life cycle. Development of a model for international success of musical compositions: block diagram and operationalization of indicators.

    магистерская работа, добавлен 18.07.2020

  • Principle of concerts as a style attribute of a choral concert of the end of the XVII-XVIII century. His rethinking in the concerts of Ukrainian composers. The analysis of a choral concert, in which the signs of concerts lose their significance.

    статья, добавлен 28.12.2017

  • The historical, theoretical and practical aspects of the Kashmir maqoms of Sufiyon Kalom, one of the genres of classical music of the Kashmir valley. Analysis of theoretical and practical aspects related to performing parda, usul, forms in maqoms.

    статья, добавлен 09.03.2023

  • The concept and specific properties of the choral art form as a musical performing art, the multimodal nature of the perception of a musical text. Analysis of communication practice in terms of auditory, linguistic, spatial and visual resources.

    статья, добавлен 14.06.2023

  • The article contains a brief biography and work of Farabi, his musical views and formation, his works and the legends about Farabi, data about books and brochures written by him about music. In his "Great book of music" it was described that music.

    статья, добавлен 15.02.2023

  • Chinese Western music culture needs to explore an academic research trend that conforms to the development of the times from the individualized characteristics of musical works and composition, while fully reflecting the Chinese characteristics.

    статья, добавлен 06.11.2023

  • Information about the sonorous and expressive properties of the harmonic peak, widely covering the principles of coloristic functions of special sound engineering techniques. Analysis of some aspects of the harmonic vertical for their uniqueness.

    статья, добавлен 20.02.2023

  • Study of the activities of the Manolis Kalomiris Society, founded in Athens in 1980. Projects of the Society for popularization of the composer's work, activities of the composer's archive, organization of concerts and publication of the master's works.

    статья, добавлен 08.06.2024

  • Definition of artistic imagery and ideological content for the composition "Introduction and toccata” for clarinet and fortepiano by A. Nezhigay. Reveal the most particular genre, performing and artistic-content features of the delineated composition.

    статья, добавлен 14.10.2018

  • The place of music computer technologies in the modern history of music. Patterns of development of musical art, study of music of different styles, eras in their systematicity. Improvement of musical language, composing methods, texture of musical works.

    статья, добавлен 10.04.2023

  • Features compilation of musical compositions, their execution in the United Kingdom inherited the European classical traditions of the eighteenth century. The analysis of the most widespread revivalist interpretation of traditional English folk music.

    статья, добавлен 09.12.2015

  • The article opens one of the new pages of G.F. Handel, relating to the early period of the composer's work, and also fits the compositions into the context of the traditions of the productions of the Hamburg Opera House. Dramatic conflict between gods.

    статья, добавлен 09.04.2022

  • The ontogenesis of the symphonic compositions in the early creativity of Valentyn Silvestrov. Analysis of the Second, Third, and the Fourth Symphonies and their compositional dramaturgy within the historical-stylistic genesis of a Ukrainian symphony.

    статья, добавлен 12.07.2018

Работы в архивах красиво оформлены согласно требованиям ВУЗов и содержат рисунки, диаграммы, формулы и т.д.
PPT, PPTX и PDF-файлы представлены только в архивах.
Рекомендуем скачать работу и оценить ее, кликнув по соответствующей звездочке.