The formation of memory on Jewish people genocide in the soviet cinematography
The influence of cinematography on memory formation about Jewish people genocide is analysed. The propaganda purpose of filmmaking in the 1930s with the aim at a particular Jewish topic, its screen comeback at beginning of German and Soviet war is shown.
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Historical examples that distinguish the phenomenon of "book genocide" from other book repressions, and historical facts are confirmed by reliable documents. It is important to base the fact of the "book genocide" on reliable historical documents.
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