Style of performing interpretation as a subject of musicological research
Development of the author's typology of styles of piano-performing interpretation. Explanation of the phenomenon of performing interpretation, its trinity. Definition of rhetorical, rationalized, emotionally and sensational styles of piano performance.
Подобные документы
The article examines the performance and semantic features of Borys Liatoshynsky's chamber music style, focusing on the Sonata for Violin and Piano (1926), a landmark work of the composer's modern period. Actively inspired by new expressive components.
статья, добавлен 10.10.2024- 27. The essence and content of the multifunctionality of the professional activity of the accompanist
Substantiate of general charter of the accompanist as an equal participant in the artistic-performing and pedagogical process. The specific aspects of the accompanist's work in the school of arts, which within the typical educational process are ignored.
статья, добавлен 08.02.2023 Complex importance of performing hearing musician. Interrelation of performing breathing, resonators and ear pads as the basic condition for improving the integral, synthetic nature of the academic sound-forming apparatus of a professional musician-fan.
статья, добавлен 12.04.2018Aspects of M. Ravel's reading of texts from the collection "Gaspar from Darkness. Fantasias in the manner of Rembrandt and Kahlo" by the poet A. Bertrand. The concept of phantasmagoricity, which led to the selection of materials from Ravel's cycle/suite.
статья, добавлен 30.03.2023The role and identification of stylistic particularities of the symbolism in the composer-artistic practice at the 18th - 19th centuries. The positions of international approach of Asafiev's school and elaborations of his followers such as Polish.
статья, добавлен 14.10.2018Discovering multifaceted significance of high singing position in academic vocal-choral art. As well as revealing technological problematic aspects of high positional sound and some ways of its solution for singers of academic performing manner.
статья, добавлен 14.10.2018A cycle of feminist piano compositions as a commentary on the inequality of women in patriarchal societies. Creation of socio-political music, which requires theatrical performance during its implementation and attention to the gender of the artist.
статья, добавлен 20.07.2018The rapid development of solo and chamber-instrumental performance on double bass during the twentieth century. Expanding the sphere of expressive capabilities of double bass by emergence of new performing and improving traditional techniques and means.
статья, добавлен 27.09.2022The Lithuanian dvejines sutartines performing features among other archaic ways of singing by two. The main method of this study is melodic analysis; specifically, analysis of the polyphonic performing process of actual Lithuanian folk songs.
статья, добавлен 18.11.2023The main modes of innovation in the use of the damper piano pedal by contemporary composers. Classification and aesthetic-stylistic justification of the innovative use of the damper pedal in contemporary piano music in the works by Ukrainian composers.
статья, добавлен 15.05.2018The paper examines the genre and expressive-stylistic concept of Vб Kyreyko’s piano works on the example of his Ukrainian passacaglia, as well as its role and place in the history of Ukrainian culture of the twentieth and early twenty-first centuries.
статья, добавлен 28.09.2022The principles of conceptualism in music. the substantiating of non-traditional interpretation of "Perpetuum mobile"as quasi-genre. The trinity of musical semantics was revealed. Levels of organization of the performance for mixed choir by V. Muzhchyl.
статья, добавлен 30.08.2018Disclosure of the genre diversity of musical works that interpret the poetic heritage of Ukrainian classics. Auditory analysis of musical works, observation of stage productions of artistic numbers. A combination of musicological and literary methods.
статья, добавлен 26.07.2023The methodology of the work is determined by the genre and style, semantic and analytical musicological approaches, focused on revealing the dialogical interaction of the traditional and innovative in the works of Edison Denisov. The vocal work of Denisov
статья, добавлен 27.06.2020Analysis of the features of the musical language of "Musical frescoes" by Bogdana Filts. The study of character of the musical language of the works of B. Filts, which is manifested in the whole complex of expressive means of the composer's piano cycle.
статья, добавлен 16.02.2022- 41. Вritish rock
Styles of 60's: psychedelic, progressive rock. Styles of 70's: punk, glam, metal. The United Kingdom’s 10 bestselling albums of all time. Styles of 80's and 90's: new wave, new romantic, madchester, brit-pop, trip-hop. The richest stars in british rock.
презентация, добавлен 12.05.2015 This paper examines the evolution of the signature traits of Borys Liatoshynsky's instrumental chamber music during the 1910s and 1920s in the context of the overall evolution of the composer's expressive me. Liatoshynsky’s Romance for Cello and Piano.
статья, добавлен 15.04.2023Discusses some techniques common in modern accordion compositions (clusters, glissando, ricochets, vibrato) and ways of their notation. Identifies benefits and limitations of performing different types of articulation and sound effects on the instrument.
статья, добавлен 16.07.2023Study of the peculiarities of the use of traditional music by Azerbaijani composers on the piano. The roots of the musical language of Azerbaijani composers - are connected with traditional music. Traditional music – folk music, ashug and mughem.
статья, добавлен 19.03.2023Definition of artistic imagery and ideological content for the composition "Introduction and toccata” for clarinet and fortepiano by A. Nezhigay. Reveal the most particular genre, performing and artistic-content features of the delineated composition.
статья, добавлен 14.10.2018An examination of Andrew Lloyd Webber as a leading composer who contributed greatly to the development of popular and academic music. Study of the specificity of the artist's individual style. Highlighting signs of appeal to stylistic diversity.
статья, добавлен 25.06.2024Analysis of practices of pop and jazz performance and of ideas about the ways of soul style entering the space of vocal art. Features of performance in soul style at the level of sound extraction, dynamics, articulation and drama have been identified.
статья, добавлен 30.08.2018The examines the work of Khan Shushinsky (1901-1979), a prominent representative of the Azerbaijani school of singing. The purpose to determine the principles of Khan Shushinsky’s performance, the features of the interpretation of mughams and folk songs.
статья, добавлен 10.02.2023Acoustic analysis of the interpretation of flagolet sound endings of Ukrainian and Belarusian traditional singing. The phenomenon of flagolet sound endings and the evolution of the practical aspect of traditional vocal performance in modern music.
статья, добавлен 18.11.2023Revival of the traditions of ancient polyphonic music of the ХХ с. in the piano cycle D. Shostakovich "24 Preludes and Fugues". Rethinking of the compositional scheme of "The Well-Tempered Clavier" by J.S. Bach in accordance with modern musical culture.
статья, добавлен 07.12.2024