Performative and semantic space of Borys Liatoshynsky’s instrumental expressiveness in the 1920s: sonata for violin and piano (1926)
The article examines the performance and semantic features of Borys Liatoshynsky's chamber music style, focusing on the Sonata for Violin and Piano (1926), a landmark work of the composer's modern period. Actively inspired by new expressive components.
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A number of discoveries in the field of musical imagery and genre compositional and linguistically expressive planes of the modern discourse of the twentieth century mark the work of Borys Liatoshynsky. The special place in Liatoshynsky's legacy.
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