????????????? ????????? ??????????? ?????? ????????? ????? ? ????????????? ??????????? ? ??????? ?????? 2022-2023 ????

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• 27. ????????? ???????? ???????????? ?????? ? ?????????????? ?????? ?? ? ???????? ??????????

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• 28. ????????? ??????? ?????????????-??????? ?????????? ??????? ??????? ? ?????? ???????? ?????

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• 29. ?????????? ????? ???????????? ????????? ??????? ? ????????? ???????? ??????????? ?????????? (?????????-?????????? ????? 2022 ?.)

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• 30. ??????????? ????? ????? ???????????????? ??????????? ??????????: ???? ???????? ?????????????? ???????

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• 31. ???????? ? ????? ???????????: ???????????? ??????? ? ??????????? ????????

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• 32. ???????? ????? ??????? ????? ????? ????????? ? ???? ?????: ?????????? ?????

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• 33. "???????????? ?????????": ??????? ????????? ???????? ????? ???????? ???????? ???????

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• 34. Bandura in the Late 1990s and Early 2000s Compositions by Maryna Denysenko Genre and Stylistic Context of Ideas

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• 35. "?? ?????? ???????????? ???????? ?? ?????? ?????": ?????????-????????? ????? ?? ???????????? ???????? ???????? ??????? ? ?????? ?????

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• 36. ??????????? ????? ??? ??? ?????????-??????????? ?????: ?????, ????????, ?????????

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• 37. ????? ??????? ????? ? ????????? ??????????-??????????? ????? ?????? ??????? ????? ??????????

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• 38. ????????????? ???????? ????????????? ?????????? ????? ????????? XIX-XX ??????? ? ?????????????? ????? "??????. ????????. ?????????"

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• 39. "??????? ??? ???????? ?? ?????????? ? ??????? ???????? ??????????" - ?????? ???????? 2022 ???? ? ????? ??????? ??????????????? ??????? ????????? ??????????? ?????

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• 40. ????????????? ??????? ?????????: ???????? ? ??????????? ????????? ?????? ????????????? (Jakubowska, A., & Radomska, M. (Eds.), 2022, Horizontal art history and beyond: Revising peripheral critical practices. New York and London: Routledge)

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• 41. Protecting portable heritage during war: a comparative examination of the approaches in Italy during World War two and in Ukraine during the Russian invasion of 2022

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• 42. The forms of the national opera’s representation in the virtual environment under martial law (on the example of the activities of the opera theatres of Kyiv, Lviv and Odesa in 2022)

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